We are developing materials for acoustical purposes. RailReed enables to achieve such woodgrain look. In every other shed I use felted heavy wool and he other weft material is darker carpet yarn.
Erna Janine is organizing an exhibition in Craft Central, London. We are preparing.
Second part of Flooded Forest by Marilyn came off the loom. Feels suitable to hang the fabrics in the graphic studio for viewing.
The idea is to use the weft floats to create black areas that create rythm with RailReed wandering warp lines.
Author Marilyn Piirsalu (@marilyn_weaving)
56 ends of cotton warp per one RailReed module and 16 ends between the modules. Warp groups that change their position create "RailReed calligraphy"
The threading and tie-up enable to weave now and then module-wide weft floats. It creates horisontal movement on top of railreed drawn warp groups. We are preparing a set of textiles for an exhibition in London, organized by Freeweaver Saori Studio. Marilyn Piirsalu is weaving with her touch of a graphic artist.
Inspired by Erna Janine and Saori weavers who use reedless weaving, I tried it out too.
Reed is used to determine the warp density and beat down the weft. So in reedless weaving I separated those functions
1) built "weft mover": a metal "comb" (drilled 2mm holes through aluminium tube and inserted nails through the holes)
2) Grasshoppers. I built 5-cm long metal combs to push warp apart where needed, to make warp lines move like with RailReed but even with more freedom. The logic of this is little device is that you insert it between warps under angle and then turn it parallel to weft (thus the warps move wider apart) and fix the position.
With first experiments I fixed the new position with long legs, so it reminded me of grasshoppers. Long legs to fix the position to the lock (just a heavy metal stick) are better than short, then I can see the change at once.
Nexts wefts secure the position of wefts and then I removed the grasshoppers to the new position. The photo shows how grasshoppers changed the warp lines.
The sample after washing. The warp lines keep the deformation. Merino (black) and heavier woollen (white) warp and UpYarn carpet yarn.
Next I will experiment with different fixing system for the grasshoppers, but proof of concept is here, isn't it?
1) built "weft mover": a metal "comb" (drilled 2mm holes through aluminium tube and inserted nails through the holes)
2) Grasshoppers. I built 5-cm long metal combs to push warp apart where needed, to make warp lines move like with RailReed but even with more freedom. The logic of this is little device is that you insert it between warps under angle and then turn it parallel to weft (thus the warps move wider apart) and fix the position.
With first experiments I fixed the new position with long legs, so it reminded me of grasshoppers. Long legs to fix the position to the lock (just a heavy metal stick) are better than short, then I can see the change at once.
Nexts wefts secure the position of wefts and then I removed the grasshoppers to the new position. The photo shows how grasshoppers changed the warp lines.
The sample after washing. The warp lines keep the deformation. Merino (black) and heavier woollen (white) warp and UpYarn carpet yarn.
Next I will experiment with different fixing system for the grasshoppers, but proof of concept is here, isn't it?
